'Charles Dickens\r'

' the Tempter is using figures of vernacular to accommodate pictures in the find outers repoint and he is therefore helping hoi polloi imagine the things he is rotund ab expose. One would say that dickens is using fables to put a picture on his report and to exact forevery bingle feels how awful and implike Coketown is. â€Å"Coketown was a town of blushful brick, or of brick that would have been cerise if the jackpot and ashes had solelyowed it; but, as matters stood it was a town of unnatural scarlet and black like the motley face of a savage.\r\nHe also uses the same interchange again and again to reap his negative impression of the pulverization clear. â€Å"It contained several large streets all very like ace another, and many small streets unflustered more like nonpareil another, inhabited by people equally like one another (…)”. After indi beart the story you almost purport the smoke and see the clouds of smoke in front of you. â€Å"I t was a town of machinery and tall chimneys, out of which interminable serpents of smoke trailed themselves for ever and ever, and never got uncoiled.\r\nWhen you have read that description of the smoke you can feel it everywhere rough you like a ophidian sneaking around because of the metaphor heller is making. Another metaphor you can find is when devil has to describe the steam-engine. He does that by using a wide animal like an elephant to make people imagine how marvelous the engine is. â€Å"(…) and where the piston of the steam-engine worked monotonously up and down, like the head of an elephant in a province of melancholy madness” in the long run you can conclude that Dickens uses a lot of metaphors and figures of speech to make the reader fells how it is macrocosm in Coketown.\r\n'