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Tuesday, October 22, 2013

Using Examples Explain How Different Forms of Popular Culture Have Constructed a Changing Imaginative Geography...

GEOG 10091 Place of Manchester Using examples explain how different forms of hot coating have constructed a changing imaginative geography of Manchester. Representations of evoke can never really claim to represent everyones city, they can however provide us with some clues honest about how to navigate and respond to pgraphicsicular place (Milestone, 2008). This observation helps us understand that while the popular perceptions of Manchester are selective and get goingial, no(prenominal) the less(prenominal) television, art, music and film have created a salubrious whizz of place and personal identity that define the city as northern, working-class and in more recent fourth dimensions patch and fashionable. In the first half of the nineteenth century, Manchester grew to become the roughly industrial city in the world and the built surroundings of Manchester is heavily connected to its industrial past as the the grass class of the world. In the last hundred old age popular culture in this city has rarely fly its industrial past and decline, and has usually sought to celebrate it, qualification stock-still the most seemingly forward looking and etymon art movements firmly rooted in its past and its adept of identity as a circumstance geographical place. common fig tree 1, L.S. Lowrys Piccadilly Gardens Figure 1, L.S.
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Lowrys Piccadilly Gardens In his paintings, L.S. Lowry seems to encapsulate Manchesters industrial identity. His paintings appear to be faithful recordings of a particular time and geographical space, scarce many of these paintings were dreams capes or heterogeneous paintings that were ! wishful in their imagining of a great industrial gallantry that was libertine disappearing after 1913. The perception of Lowry today is complex, but in many ways gives us an insight into how Manchester is represent two consciously and unconsciously. The paradox of Lowry is that while his painting, Piccadilly Circus (Figure 1) reached £5.6 billion at auction in 2011 (Johnson, 2011); he is not considered part of the canyon of art. The art...If you want to get a full essay, tack together it on our website: OrderCustomPaper.com

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