Cinema Studies Filmed Into Fiction

 In this way, the modern day media is able to fabricate whatever hyper-reality is mandated as the "good" by political leaders, whether or not the "good" as defined by them has anything whatsoever to complete on the reality of true events. In this manner, television images and political sound-bites turn into reality. Following all, what does the average American have as evidence that a real war even occurred inside the Gulf? The radio? The television? The newspapers? All of them package and promote content which is edited from someone's perspective, commonly the preferred point-of-view or "interpretation" from the company that owns them.

Thus, all presentations of simple fact are suspect to interpretation and motive. Modern technology and media complicate this phenomenon since they've the ability to generate a fact that is certainly additional genuine than real, artificially. Hollywood cinema usually tries to combat popular presentations of genuine events by crafting films like Network and Apocalypse Now which go behind-the-scenes, or is how the machinery, that fabricate well-liked perceptions of reality.

Thus, we can see how political rhetoric, media technology and interpretation, military control, along with other aspects on the total info technique combine to attempt a revision of history, a single that becomes a fictionalized narrative to future generations who must use fiction as their road-map to discovering the fact concerning history. It is not an crucial issue that innocent civilians had been killed by U.S. troops; it only matters that we don't fall for Hussein's portrayal of the incident as evidence that American forces are as brutal and inhumane as any Iraqi force. In Three Kings such contradictions and queries are raised. Inside modern world, does it matter who the enemy is and what the goal is, or does it simply matter that our federal government ensures invasions are perceived as popular so that you can carry out their underlying motives?

The difficulty with this hyper-real presentation of the war was how the truth from the war did not gel of the political rhetoric and also the media imagery. As Zinn (371) also relates "The public was being deceived about how ?smart' the bombs getting dropped on Iraqi towns were?The Boston Globe reported that 40 percent from the laser-guided bombs dropped missed their targets?A Reuters dispatch from Iraq described the destruction of a seventy-three room hotel in a town south of Baghdad, and quoted an Egyptian witness: ?They hit the hotel, full of families, after which they came back to hit it again.'" We see these kinds of discrepancies in Three Kings. The four soldiers find a map showing Saddam's hidden bunkers and also the hiding location of stolen Kuwaiti gold. The four soldiers now know they've a mission and purpose, retrieve the gold.

 

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