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Tuesday, April 2, 2013

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The first thing one notices about The Cop and the anthem is the fabletellers use of elevated language typical of the central case, Soapy. Indeed, the character of Soapy is as important to this story as its dry structure, in which every action that he takes creates a reaction opposite to the one he wishes. The basic irony of the story is that as long as Soapy is free, that is, loose in the city, he is not free at all, because of the coming winter. If he were in prison, however, he would indeed be free to have intercourse life without fear. Soapy is a proud man; he does not want something for nothing and is willing to pay for his path and board by going to some effort to confide an act that will watch him in jail. He rejects charity, for he knows that he will have to pay for philanthropy by being preached at and lectured to.
The additional problem is that although Soapy breaks the law, he does not act like a criminal. Moreover, although he tries to be a crook, he keeps running into real criminals who thwart him, such(prenominal) as the umbrella thief, from whom he natesnot steal what is already stolen, and the streetwalker, whom he cannot offend because she considers him a potential customer. Thus, Soapy seems doomed to liberty.

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A story with an ironic, mocking tone such as this one, in which a bum who talks like a gentleman tries to get himself thrown into jail but continually fails, can only end one way. The ultimate irony is that Soapy, who does not want something for nothing and who goes to a great deal to get thrown into jail, finally does get thrown into jail for doing exactly nothing.
The Cop and the Anthem has only one character who is stipulation a name, the protagonist Soapy. Furthermore, no last name is given. It is do clear that Soapy is homeless, a member of the substantial phalanx of underclass men and women who had flocked to New York City during the earliest old age of the twentieth century.
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